Moby Dick

Moby Dick

تأليف : Edward W. Said

النوعية : الأدب

حفظ تقييم

Moby Dick by Edward W. Said.."A work tantalizingly subversive, and yet somehow if not affirming at least forgiving of the blind destructiveness of human nature and of nature itself." -Elizabeth Hardwick Moby-Dick is one of the great epics of all literature. Captain Ahab's hunt for the white whale drives the narrative at a relentless pace, while Ishmael's mediations on whales and whaling, on the sublime indifference of nature, and on the grimy details of the extraction of oil provide a reflective counterpoint to the headlong idolatrous quest

. Sometimes read as a terrifying study of monomania or a critical inquiry into the sinister effects of reducing life to symbols, Moby-Dick also offers colorful and often comic glimpses of sea-faring life.
For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes.
The contents of this Paperback Classic are drawn from Herman Melville: Redburn, White-Jacket, Moby-Dick, volume number 9 in the Library of America series. It is joined in the series by two companion volumes, and together they present Melville's complete fiction.

Moby Dick by Edward W. Said.."A work tantalizingly subversive, and yet somehow if not affirming at least forgiving of the blind destructiveness of human nature and of nature itself." -Elizabeth Hardwick Moby-Dick is one of the great epics of all literature. Captain Ahab's hunt for the white whale drives the narrative at a relentless pace, while Ishmael's mediations on whales and whaling, on the sublime indifference of nature, and on the grimy details of the extraction of oil provide a reflective counterpoint to the headlong idolatrous quest

. Sometimes read as a terrifying study of monomania or a critical inquiry into the sinister effects of reducing life to symbols, Moby-Dick also offers colorful and often comic glimpses of sea-faring life.
For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes.
The contents of this Paperback Classic are drawn from Herman Melville: Redburn, White-Jacket, Moby-Dick, volume number 9 in the Library of America series. It is joined in the series by two companion volumes, and together they present Melville's complete fiction.

Edward Wadie Said was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran. Educated...
Edward Wadie Said was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran. Educated in the Western canon, at British and American schools, Said applied his education and bi-cultural perspective to illuminating the gaps of cultural and political understanding between the Western world and the Eastern world, especially about the Israeli-Palestinian conflict in the Middle East; his principal influences were Antonio Gramsci, Frantz Fanon, Aimé Césaire, Michel Foucault, and Theodor Adorno.